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Switchfoot: Oh! Gravity. The Meaning Behind

Posted: Friday, December 22, 2006, 12:24 (GMT)
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Amateur Lovers. Oh that we knew how to love each other well! Here's a song that elaborates on the title track with another set of social-physics questions. We all need love so badly- it's how we were made. And yet we're so bad at loving one another. It's our attempt to put another matter of grave consequence in the skin of a pop tune.

Faust, Midas, and Myself. Two mythologies and the truth. Or more specifically, a man who makes a deal with the devil, a man who has a touch of gold, and my own personal struggles. CS Lewis had a lot to say about mythology. On one occasion he said that he writes fantasy to get past the watchful dragons of religion. That's why I write music, because our minds are often so closed that even the truth can't fit in to set us free. This is a story about following the fantasy and seeing where it leads. Sometimes the dreams turn into nightmares... In a million ways, I know firsthand that the taste turns sour very quickly.

Head Over Heals. This is an honest love song. Love is not a silk flower- always bright, with artificially whitened teeth and a fake tan. No, love is a fight. Love is what happens when you've been hurt and you want to quit. Love is what happens when you decide not to. Love is not the beginning of the story but the ending. Perhaps the thirty-minute sitcom has done a disservice to the sheer magnitude of what love is.

Yesterdays. I wrote this with my brother. The song is very straightforward. I have hope in this life and beyond the grave.

Burn Out Bright. One of two tracks on the record that is a command. Seems like every story I can relate to starts off with a broken heart, broken dreams and bleeding parts. There's a story I know about a man named Israel who wrestled with God. From that day on he walked with a limp. I guess in a lot of ways I don't trust a man who doesn't have a limp. The future is yet unwritten. Write it well.

4:12. Another musical thesis on the subject of materialism. I've heard it said that we are souls and we have bodies. And yet our physical world is always hungry, always thirsty, always watching, always listening. It gets to the point where I begin to believe that all we are and that all of our dreams are nothing more than material. That love and fear and pain and justice are material? It's nonsensical.

Let Your Love Be Strong. My wife's favorite song. This one means a lot to me. "Maybe I'm just idealistic to assume that truth could be fact and form, that love could be a verb, maybe I'm just a little misinformed." I wrote this one after a long walk in the early morning before the sun came up. I was sitting out by the train tracks halfway between the ocean and the freeway. When everything in your life falls apart you begin to realize what's worth holding on to and who's got a hold on you. Let the world fall apart ... all of my life rests upon the love that created every breath I have been given.

*a footnote:
I have a hard time explaining what I do for a living. I sometimes wish I played the role of inventor: purposefully creative, a wizard with notes and words. But in fact my occupation is much more like an archeologist. Always digging. Always sorting. And occasionally I feel that I stumble across something truly remarkable. Like a hidden city buried in the ground, the notes and words seem to have been there long before me- as though the song would exist without my involvement. Or maybe it's more like farming. Preparing the soil, planting, watering, pruning and caring for these ideas hoping to see a bumper crop yet knowing that the outcome is almost entirely out of my hands.

With that in mind, this collection of songs then is something that I can only partly take credit for. Most of my favorite moments on the record represent the times when my fingerprints are the lightest, where my own self-conscious second-guessing is absent and the buried city can speak for itself. I suppose to some extent I'm talking about honesty- allowing a song to be itself rather than forcing your own will upon it. This was a goal not only in the writing process but in the studio as well. Many times on this record we deliberately went back to the first take and the rough draft to find our direction simply because the first response to the song is often the most honest. Your first instincts might be poorly played or incomplete but they were honest.

I am so proud of these songs, like I am proud of my friends or as I imagine a father would be proud of his son. I truly feel like there is only so much credit that be given to the songwriter, for the buried city was waiting there all along.



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